Vowski

Loneliness within saturated urban spaces is the cruel paradox that VOWSKI strives to portray through music, like a kind of modern melancholy. Following in the footsteps of artists such as Boards of Canada, Sigur Rós, and Josh Johnson, the band cultivates an aesthetic that is both contemplative and powerful. The original music of this project is inseparable from its striking urban visual universe. It evokes our contemporary world, the chaos and anger that reign there, but also its energy and the desire to share. Each sound, each texture, is integrated into an overall narrative whose off-stage dimension plunges the viewer into an immersive experience. At the heart of this project, four musicians fully embody this sensitive and committed aesthetic. On keyboards, Nathan Mollet shapes profound soundscapes, playing on electronic textures as well as silences. Pierre Thiot's alto saxophone, combined with his effects treatments, shakes up the sound, injecting breath and tension into each phrase. On bass, Viktor Raynaud explores the limits of groove, providing a dense and shifting foundation, while Simon Jodlowski, on drums and electronic pads, creates a constantly changing rhythm, somewhere between physical striking and sound sculpture.